If there has been any talk, recently, where the term “Hip Hop” has been coupled with adjectives like terrible, horrible, disrespectful, etc., give me a few minutes to combat those thoughts with a legally blind, albino, Muslim named Brother Ali.

The Preacher Man
The Minnesota native has been on the grind for a while, putting out his fourth studio album, Us. Two years ago, The Undisputed Truth, was his first album to gain commercial notoriety, and it was also around the same time he had his first headlining tour. I saw him open for Atmosphere the year before, not really knowing who he was, and he blew me away.
He’s got a soulful voice, bellowing from his gut, with soulful words that have probably been buried deep for sometime. This album has a taste of just about everything that today’s hip hop should model themselves after…specifically respect. The album drips with respect for himself, never selling himself (or more so his lyrics) for any means, and for the hip hop culture. The fathers would be proud.
The third track on the album “Crown Jewel” is patented Brother Ali. His voice, almost gospel-like, is like another instrument within the jazzy/funky beat; trumpets blaring, heavy bass-riff, and then Ali’s voice just adds that much more to it. It’s definitely a jam that sits you in a dimly lit jazz lounge, bobbing your head up and down, smiling the entire time. Listen to it and tell me you aren’t there with me:
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But the Brother isn’t all low-key and gloomy like that. The track after the intro, “The Preacher” is very upbeat for a Brother Ali song, and so is “Fresh Air”. It’s a good movin’ song, like when you’re walking, riding, whatever, it moves with you. It has a nice funk feel to it. The beat has a nice Parliment-esque guitar in there, and you can almost hear it in Brother Ali’s flow, that he’s enjoying himself. He’s happy, rapping about his kids, his fans, everything he loves about life.
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And then there’s the song “Breakin Dawn” which almost sounds like there’s a Sitar involved. It’s a real simple beat, but Brother Ali brings back that Gospel-like, deep voice. The gospel undertones in the song aren’t imposing, nor is he pressing anything upon his listeners. Brother Ali (as seen even by his names) is a proud religious man, and this is how he expresses himself. And I love it.
Closed his eyes as he sang every note
the son seems sure of the words that he wrote
stood up cleared his throat grabbed his coat
and in those last moments few words were spoke.
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And Brother Ali closes out the album wonderfully with “Us”, the title track. He brings back the choir from the first track, and just goes with it. The Brother just spits why he’s here, why he’s rapping, and what the game, to his, is all about. A wonderful song to close out a wonder, and refreshing album.
I recommend this album to anyone who thinks hip hop is on it’s last leg. You’ll think twice with some soul from Brother Ali.

Brother Ali "Us"
DWB.